The Coathangers – Tickets – The Casbah – San Diego – San Diego, CA – February 18th, 2017

The Coathangers

Casbah presents

The Coathangers

Zig Zags, the dabbers

Sat, February 18, 2017

Doors: 8:30 pm / Show: 9:30 pm

The Casbah - San Diego

San Diego, CA

$12.00 - $14.00

This event is 21 and over

The Coathangers
The Coathangers
Be leery of any punk band with initial ambitions that go beyond just playing shows with their friends. Sure, great bands ascend beyond basements and handmade demos all the time, but the best acts start with little consideration for the outside world. The groups are their own insular worlds, where the reward comes from the process, not accolades and riches. And the bands that thrive on their own artistic satisfaction usually wind up being the bands that are able to grow beyond the donation jar into sustainable successful musical careers. Their charisma is contagious, their songs exist outside of fads, and their spirits can weather the inevitable ups and downs of life as touring musicians. Such is the case with the Atlanta trio The Coathangers.

When The Coathangers started up in 2006, their aspirations were humble. “I think all bands in their early twenties start for fun,” says guitarist/vocalist Julia Kugel when talking about their early years of cheeky no-wave and irreverent garage rock. But Julia and her bandmates Meredith Franco (bass/vocals) and Stephanie Luke (drums/vocals) were serious about their craft, and that combination of modest outside expectations and absolute dedication to their music made for exhilarating live shows and contagious records. Ten years later, The Coathangers are still going strong, and while their palette has expanded over the years to touch upon hip-shakin’ classic rock, soulful country ballads, and golden oldies pop, their primary attack strategy still relies heavily on the jagged hooks and boisterous choruses of their formative years. Their fifth album Nosebleed Weekend retains all the devil-may-care magnetism and serrated instrumentation of their debut, but it flourishes with a decade’s worth of songwriting discipline and chemistry.

Nosebleed Weekend kicks off with “Perfume”, a song that marries sultry pop vocals with toothy guitar riffs in a manner that would make Ann and Nancy Wilson proud. It’s hard to imagine The Coathangers writing a song this accessible in their early years, but in 2016 it fits perfectly into their canon. From there the band launches into “Dumb Baby”, which harkens back to the gritty neo-garage rock of Murder City Devils. Longtime fans who still clamor for their brash post-punk angle will be immediately satiated by “Squeeki Tiki”. And after hearing the noisy loud-quiet-loud bombast of “Excuse Me?” it’s no wonder that Kim Gordon has become an outspoken fan of the band. It’s an eclectic album inspired by life on the road, lost loved ones, and Kugel’s recent move to Southern California. “We always say that each record is a snapshot of our life at the time,” Kugel says. “As far as style… it’s just what came out of us at that point.” So whether it’s the foreboding garage rock of the title track, the post-punk groove of “Burn Me”, the stripped-down pop of “I Don’t Think So”, or the dynamic grunge of “Down Down”, The Coathangers command their songs with passion and authority.

The biggest departure for Nosebleed Weekend was the recording process. While all their previous albums were recorded in Atlanta at The Living Room with Ed Rawls, their latest album found the band out in California’s North Hollywood at Valentine Recording Studios with Nic Jodoin. “The Beach Boys and Bing Crosby both recorded there!” Kugel says excitedly. “It was an amazing experience, not to mention a ghostly one too. The studio had been custom built by Jimmy Valentine and he was very protective of his passion. It sounds weird, but his spirit was there, checking in on us and fucking with us a bit.” Nosebleed Weekend was the first session at Valentine Recording Studios since Jimmy’s professional interests were diverted elsewhere in 1979. The studio doors were shut, capturing a time capsule of the LA music industry back in the ‘70s. Thinking back to the early years of The Coathangers, it’s hard to imagine the scrappy Southern ladies ever recording in a historic studio in the San Fernando Valley, but it’s a classic demonstration of what can happen when humble young punks stick to their guns..
Zig Zags
Zig Zags
"Road tards, rat milk, magic frogs and motorbikes. ghost pirates, trailer park babysitters, king kong bundy and werewolf santas. nwobhm, early metallica, the wipers, budgie and bobby soxx. it ain't retro, it's total fucking recall. get me off this dying rock. escape from la while you still have the chance. over."

—Randy 2024

In the year 2014 in the ruins of the city once known as Los Angeles, three underworld dwellers with one job, one hot tub and one unkillable riff between them knew they had to make a ripping record—or die trying. This is their story.

Guitarist Jed, bassist Patrick, and drummer Bobby started in a room lit by a single green light, which changed them from humans to Zig Zags in the summer of 2010. Within the next four years, they'd record a song with Iggy Pop and an album with Ty Segall and go from playing house parties for pizza to staring off the stage at the Fillmore West. But back then that was still in the future.

Before them had come giants—bands like Kiss and Sabbath whose names were carved into desks in detention for decades. Before them had come mutants, heavy metal and punk bands like the Dictators and Pentagram that spun into the void of history after failed orbital rendezvous with the fame they'd deserved. And before them had come freaks, one-known-copy private press insanities like J.T. IV, White Boy and the Average Rat Band, the bands that happened when someone with a guitar thought FUCK IT loud enough for the tape to pick up. Those were visionaries, each of them, even if most of them paid—or never got paid—for it.

And Zig Zags had a vision, too. It was a dark and weird one, the kind of thing you see flickering on the monitor when your stolen spaceship wakes you up from cryosleep, or the kind of thing that flashes across the inside of your forehead when you wake up hungover from sleeping in your van. Theirs was the nightmare of the insane and the all-too-normal, the Bermuda Triangle between sci-fi and lo-fi and no-budget, the Twilight Zone twist ending where it turns out everyone ELSE was an alien the whole time.

When Cliff Burton wore that Misfits shirt—Zig Zags. When the Emergency Broadcast System interrupts that John Carpenter movie—Zig Zags. When a soggy pile of Thrasher mags and Jack Kirby comics spill out of a dumpster behind the Sunday School—Zig Zags. When the Ramones were scared of the basement and the Angry Samoans couldn't find the right side of their mind—Zig Zags. When a kid breaks his elbow copying a WWF heel's piledriver and starts laughing instead of crying—Zig Zags. And when the electricity goes off forever and torchlight reflects off chrome—Zig Zags.

All of this and more becomes real on the Zig Zags' self-titled debut LP, recorded and produced by Ty Segall for In The Red. In 12 songs, they chainsaw through weirdo film and caveman rock and space noise and make smart sound so dumb it turns inside-out and becomes brilliant. Their very first 7" had a song scalled "Scavenger" cuz that's what Zig Zags do—dig through garbage to find genius. In 2014, it turns out they did make their ripping record. But it's up to you to figure out the twist ending.
Venue Information:
The Casbah - San Diego
2501 Kettner Blvd.
San Diego, CA, 92101
http://www.casbahmusic.com