On their self-titled sophomore album Caveman stretch their legs in a number of different, albeit cohesive, directions. Their highly anticipated return will come out in America via Fat Possum Records on April 2nd, and the first single In The City is being revealed today via NPRs All Songs Consi
ered. Head over to NPR HERE to listen to the track. Plus on the bands SoundCloud HERE. Cavemana five-man vibe collective from NYCreleased their first album in 2011. As first albums go, CoCo Beware was something akin to a moody statement of intent, a blueprint for a band quickly learning how to create horizon-wide rock songs that were equal parts intimate and expansive. Initially self-released and later snatched up by Fat Possum for re-release in early 2012, the record brims over with four-part harmonies, crystalline guitar lines, and tracks that see-sawed between echoey lullaby (A Countrys King of Dreams) to shoegaze-by-way-of classic-FM-radio sprawl (Old Friend). The album quickly elevated Caveman from local band to watch to a sizable touring draw and formidable live act, as evidenced by stints on the road with the likes of The War on Drugs, White Rabbits and Built to Spill. Despite being the work of a brand new band, CoCo Beware displayed a kind of Zen-like ease. It was the sound a five friends settling into a nice groove; the music that happens when, for whatever reason, a lot of seemingly disparate elements finally fall into place. We all went up to Jimmys grandmothers place in New Hampshire, says singer Matthew Iwanusa. Thats where the new record kind of started. It was literally the attic of her barn, lit up by Christmas lights. Wed all sit in this one room together and one by one wed all go into the bathroom and record ourselves making the most psycho noises possible. It actually felt kind of like a weird breakthrough. We were all confident and comfortable enough with each other to try out these experiments, which extended itself into the making of the new record which is really just an evolution of this vibe that wed been cultivating for long time. With that, the guys holed up in Brooklyns Rumpus Room to start recording in earnest with Nick Stumpf (who produced the bands debut album) and Albert Di Fiore behind the controls. The album is a kind of sonic microcosma series of emotional yet tough mini-narratives operating within the same quixotic musical universe. As a result, the guitars on Caveman are bigger and more expansive, the rhythm section is tighter and more adventurous, the keyboards more opaque and pronounced. Like a marriage between Tangerine Dream, late period Slowdive, and Lindsey Buckingham, tracks like their new single In the City and Ankles boast synth lines that sound simultaneously retro and futuristic, while Pricey and Never Want to Know overflow with guitar sounds that could have miraculously floated off an old Cure album. It should be noted that James Carbonetti, the bands primary guitar player, also happens to be one of the most highly regarded guitar makers in New York City. And while Cavemans music could certainly operate on the level of dreamy soundscape and still be excellent, the depth of feeling in front man Matthew Iwanusas lyrics helps weave the songs deeply into your memory. When Iwanusa sings Wheres the time to waste on someone elses life? on Wheres the Time, its hard not to read between the lines. Wonder and regret seem to fuel the record in almost equal measure.
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